![]() It’s a classic rock and roll move to challenge one’s expectations from music. It’s two polar artists blending into a single cohesive vision. The purest example of this being “Cars & History” in which, over an acoustic guitar and hovercraft groove worthy of a Wes Anderson film, Ryan sings.Īnother way to picture their differences: if they were filmmakers, Hubbard would be Truffaut and Ryan would be Scorsese. It is a sound that is sophisticated and pretty and smart. Where Ryan loves The Clash and Leonard Cohen, Hubbard loves Bjork and Sinatra. Ryan’s songs are storm crows – heavy, world-weary and wise. Hubbard constructs songs like glimmering white birds – emotionally open, light and jubilant. Steve Earle had referred to Ryan as, “one of the best songwriters I’ve seen come to Nashville,” and No Depression had claimed Hubbard’s music was, “a realm where melody, hooks and harmonies converge in a spirit of yearning and state of grace.” In addition, they come from opposite ends of the spectrum. Each had already carved out a niche for himself, each was well-known and highly-praised by the critics. In the case of Matthew Ryan and Neilson Hubbard, this would seem a particularly difficult event. ![]() It’s unusual for two such artists to find something in common magnetic enough to join forces over a common vision. Steve Earle had referred to Ryan as Read Full Bio Songwriter/solo artists are strange animals. ![]() cdc.gov/rabies/medical_care/index.Songwriter/solo artists are strange animals. cdc.gov/vaccines/hcp/vis/vis-statements/tdap.html
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